Mozart Meets Technopop: Adya Classics Unveils a Playful Reinvention of “Non So Piu” from The Marriage of Figaro

Brussels, Belgium – Adya Classics, the renowned Belgian label known for its innovative musical crossovers, is shaking up the classical music scene with an electrifying technopop remake of Non So Piu Cosa Son, Cosa Faccio—Cherubino’s iconic aria from Mozart’s The Marriage of Figaro. This modern interpretation, performed by Belgian singer Elle Yana and backed by the dynamic ensemble Ayda, reimagines the 18th-century classic with contemporary beats and an energetic twist. The visually stunning production, featuring Elle Yana in exquisite costumes, complements the fresh and playful sound of this adaptation.

While purists may raise an eyebrow, this fusion of classical opera and electronic pop brings Mozart’s timeless melodies to a new audience, proving that great music transcends time and genre. For those who appreciate a side-by-side comparison, the release is accompanied by a video of the original aria as performed by the legendary Maria Ewing, allowing listeners to experience both the classical and modern interpretations.

About Adya Classics

Adya Classics is dedicated to reimagining classical masterpieces for contemporary audiences, blending traditional compositions with modern elements to create fresh and engaging musical experiences on YouTube.

History

The Marriage of Figaro (Le Nozze di Figaro), composed by Wolfgang Amadeus Mozart in 1786, is a landmark opera buffa (comic opera) that revolutionized the genre with its rich character development, intricate ensembles, and social commentary. Based on a controversial play by Pierre Beaumarchais, which was initially banned for its criticism of aristocratic privilege, the opera follows the clever servant Figaro as he outwits his philandering master, Count Almaviva, on the day of his wedding.

With a libretto by Lorenzo Da Ponte, Mozart’s setting masterfully blends comedy, romance, and satire, pushing the boundaries of class and power dynamics in 18th-century Europe. Premiering in Vienna, the opera was met with great enthusiasm and remains one of Mozart’s most beloved and influential works.